🎰 43 Best Cuban Salsa images | Cuban salsa, Ballroom dance, Salsa

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Rueda Sign. Pointing downwards with finger and with the thumb in 90 degrees to a form a seven followed by a fist with the thumb and index finger up and.


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41 Best Salsa Setenta images | Salsa, Cuban salsa, Rueda de casino
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26 Best Learn Cuban Salsa images | Cuban salsa, Partner dance, Salsa
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salsa rueda setenta

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Casino refers to Cuban salsa. Bayamo; el dedo; Juana la cubana; Kentucky; ochenta y quatro; puente doble; setenta; setenta complicado; sombrero; vacilala.


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NEW VIDEO - Learn Cuban Salsa: Setenta Miami! api-shop.ru Setenta Miami is a foundational pattern combining the basic.


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salsa rueda setenta

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We're thrilled to incorporate Miami, Havana, Santiago and Rueda styles into this The Cuban salsa move known as Corona starts exactly like Setenta and.


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At Β£ this represents one of the best value DVDs for salsa you will buy. Ochenta y ocho, Setenta y uno, Mariposa, Media naranja, Enchufla doble por.


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NEW VIDEO - Learn Cuban Salsa: Setenta Miami! api-shop.ru Setenta Miami is a foundational pattern combining the basic.


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Home Page > Activity Search > Salsa Cubana & Rueda De Casino - Advanced A lo Cubano, Setenta y VΓ­rate, Despeinala, El Salao, Bombero, etc. as well as.


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NEW VIDEO - Learn Cuban Salsa: Setenta Miami! api-shop.ru Setenta Miami is a foundational pattern combining the basic.


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Home Page > Activity Search > Salsa Cubana & Rueda De Casino - Advanced A lo Cubano, Setenta y VΓ­rate, Despeinala, El Salao, Bombero, etc. as well as.


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Rueda Sign. Pointing downwards with finger and with the thumb in 90 degrees to a form a seven followed by a fist with the thumb and index finger up and.


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salsa rueda setenta

Taro Dos Same as Taro, but skip lady in front of you and go on to next lady Enchufle Hand signal: closed fist pumping up and down like sounding a truck horn Lead partner into inside turn to my right, so we change positions Duck under her RH, and go on to next lady LOD Enchufle Doble Peekaboo, then enchufle Festival de enchufle Three enchufles in a row, clapping the number of enchufles already done as you pick up the next lady Enchufle con vuelta Enchufle, with leader's left turn on Guerriero Warrior Start with enchufle, on 7, take her RH with my RH, and place it at my waist, then walk around each other clockwise for one measure, and then continue on to next lady Principe Bueno Good prince Enchufle, kissing lady's hand on 7 Enchufla pa'l medio con dos Start with Enchufla Move past partner, but don't pick up next lady, instead, go to center, clapping on 1 and 2, stepping out of the circle on El Uno Facing partner, man's right shoulder to inside of circle, right to right hold. Candado Facing partner on left. Usually followed with a coca cola.{/INSERTKEYS}{/PARAGRAPH} {PARAGRAPH}{INSERTKEYS}These are notes from dance classes prior to They are archived here for occasional reference. Pulse her and bring her to the center passing in front you and under your left arm, at the same time leaders switch positions so now they face center and ladies face them. Do this twice, and then, on , man does right pivot turn, clapping on 1 and 2, lady does this on Engancien Leaders clasp arms behind women Levantenla From engancien, leaders bend down to form a seat for the ladies, and lift them up Bajanla Put the ladies down. Open break. Bump butts with person behind me. Stepping forward, allow passing body of other gender to break hold. Dame dos Same as dame, but skip one lady Di le que no Cross body lead. Ladies 2-hand inside turn with change of places, with man's hook turn to wrap, end up facing away from lady, clockwise to circle. Like Paulista's in Samba Exhibela From Pa'abajo, instead of having lady break to my left, lead her into an outside turn. Women do the same thing, switching roles on 1 and 5 La Rosa Like El Flor, but men hold hands with the other men, and ladies with the other ladies. On , leader does jazz box to right, moving past lady on right, lady does back basic. Kentucky Lady's half inside turn to cuddle. Hombres P'arriba Start with everyone facing clockwise. Continue with sombrero. Ready for the cross body lead. On , man's half turn left, go into P'Arriba Entra Everyone holds hands, with men entering the circle on 1, and ladies entering on 5 El Flor Men duck into the circle on one, with hands down and together, and on 5, stand up, raise hands, and do a back stroke stepping out of the circle. Yogurt on , jump right up to each other, with man's right leg between lady's legs, and go down and up again, optionally grinding against each other. Cuban break right, lead lady to step to my left, QT left S. Comb her with right, me with left, cross body lead. Dos y una Two exhibela's, then on the third, man's turn. Adios con vuelta Adios with man's left turn on Dame Gimme Hand signal: palm facing in, curl and uncurl fingers Basic, on 7 turn to face lady on my right. LF cross, bring lady back to face me. If dame is called before I turn back on cross body lead to face partner, I let go after first half of cross body lead, and go on to the next lady. Man's hook turn under my left arm, end up with hairbrush into cross body lead. Both feet hop back. Televisore R2R over L2L, lead lady into outside turn past me on my right, comb myself with LH, and squat, so lady can sit on my right knee, and we both point to center like we are watching TV. Open break to hammerlock turn, stepping past lady on 3 Lady continues around my back, while I do a jazz box to right, kind of like Around the World in 2-Step. Hop up close to partner. Next pull the ladies out of center and directly not under an arm to leaders right side catching with the right arm on her back. Lead her back to opposite me, keeping LH on her shoulder, so that she is in a neck wrap. Stomp RF in center, and go back to guapea. Taro From Pa'arriba, man walks under lady's left arm to next lady. Guapea Facing into the circle, partner to my left, holding LH to RH LF back break QT left, RF to center, pattycake with RH, then back to starting position Pise Basic, stamping foot on 5 Con Bulla Pista, yelling on 5 Prene Stomp on 5, shake hips for one measure, and then stomp on 5 again Chevaria twist on 1,2,3 Adios Goodbye Hand Signal: wave bye-bye Backspot turn, ducking under lady's left arm on 7, and move on to next lady counterclockwise Adios con la hermana Goodbye with the sister Hand Signal: wave goodbye, then cup your breast deg back spot turn with left arm extended. Lady's inside turn to change of places, going under my right arm, so we end up in double crossed hold. QQ, cuban break left, lead lady to step to my right, QT right. Vacilala check her out Finger points at eye Like spin whip, letting go of follower's hand, and then into XBL Vacilense los dos Same as vacilala, with man's hook turn on 5 Setenta 70 Lady's right turn into hammerlock Change of places this unwinds lady Man's wrap, with man turning left for change of places again Change of places to XBL Setenta Ariel Start facing partner to my left. Leaders backs are to center, look at your partner. RF cross. El Pozo The Well In closed position, facing counterclockwise, lean into circle on 1, tapping RF, and lean out of circle on 5, tapping left foot. Botella With everyone holding hands around circle, lead peekaboo Con Tapa Variation of Botella, on 5, leaders hairbrush with right hand to end, when dame is called, hairbrush goes right into dilequeno Veinte dos Start facing center of circle, no holding hands. Change of places to cuddle, repeat twice. Switch hands to R2R and L2L, and start going around circle clockwise with cuban breaks, looks like a conga line.